In Tune with Heaven

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Our Winter programme on 17 November (Cirencester) and 24 November (Cheltenham) contains sacred music from the Renaissance to the present day.

Francisco Guerrero was born in Seville in 1528 and died there in 1599. His motet ‘Ave virgo sanctissima’ is in praise of Mary, “bright star of the sea, precious pearl, beautiful as the lily”. The fluid expressiveness of the music hides a strict canon between the two soprano parts.

Fifty years younger than Guerrero, Thomas Weelkes was a colourful character. In 1613 he was dismissed by the dean and chapter of Chichester Cathedral for being drunk at the organ and using bad language during divine service. However, his musical qualities allowed for his reinstatement and he remained at Chichester until his death in 1623 although his behaviour did not improve; in 1619 Weelkes was again reported to the Bishop. His Gloria is characteristically exuberant.

Today, if Josef Rheinberger is remembered at all, it is for his challenging and elaborate organ music. However he was a prolific composer of opera, symphonies and chamber music as well as church music including twelve masses. He lived from 1851 until his death in 1901 in Munich and his music is strongly influenced by that of Brahms and Bach.

Randall Thompson’s most popular and recognizable choral work is his anthem ‘Alleluia’, commissioned by Serge Koussevitsky for the opening of the Berkshire Music Center at Tanglewood, Massachusetts in 1940. A noted teacher as well as composer, Thompson worked at the University of Virginia and at Harvard.

Herbert Sumsion’s compositional style reflects the influence of his more famous contemporaries Howells, Finzi, and Vaughan Williams. Organist of Gloucester Cathedral between 1928 ans 1967 ‘They that go down to the sea in ships’ is a pinnacle of the Anglican repertoire responding colourfully to the different moods of the sea.

Paul Mealor rose to prominence with the composition of this work ‘Ubi Caritas’ for the wedding of the Duke and Duchess of Cambridge in 2011.

The full programme will include:

Ave virgo sanctissima​ – Francisco Guerrero
Gloria in excelsis Deo​ – Thomas Weelkes
Mass in E flat Op 109 – ​Josef Rheinberger 
Alleluia​ – Randall Thompson​
They that go down to the sea – ​Herbert Sumsion​
Ubi Caritas – ​Paul Mealor​
Jubilate​ – Benjamin Britten​

Tickets available now here.

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Music’s Praise – 23 June 2018

June 2018

Michael Hurd, the composer of the headline work in our programme ‘Music’s Praise’, was born in Gloucester in 1928 and died in 2006. Written for the Stroud Festival in 1968, the work sets four poems by Alexander Pope, William Strode, William Shakespeare and Robert Herrick for chorus with an accompaniment of string ensemble or piano. The music mines the rich vein of twentieth century English pastoral romanticism, contrasting differing ways in which music can reflect and inspire the human condition.

When John Holloway set ‘Six Poems of John Drinkwater’ in celebration of Cantores’ first twenty years in 2011 it had been some decades since he had performed Michael Hurd’s songs but the unconscious influences are clear! John Drinkwater was one of the so-called Dymock poets, including Rupert Brooke and Edward Thomas, some of whom lived in or near the village in Gloucestershire and were writing in the years immediately preceding the First World War. Their words conjure a lost world of bucolic innocence and the looming tragedy of war.

The programme also presents three vocally challenging Baroque masterpieces, of which perhaps the best known is Handel’s famous coronation anthem ‘Zadok the Priest’, composed for George II in 1727, some 42 years after Purcell’s had composed ‘My Heart is Inditing’ for the coronation of James II in 1685, the year of Handel’s birth. The work juxtaposes ensembles with full choruses, with notably complex overlapping rhythms and textures.

The motets of J.S.Bach paved the way for generations of succeeding composers, in particular Mendelssohn and Brahms. Bach’s lines and textures are uncompromisingly instrumental, yet the music displays his incomparably profound response to the text, which in this case is drawn from Psalm 117 ‘Praise the Lord all ye people’.

Cantores will present the same programme again on Saturday 30 June in Forthampton Parish Church (near Tewkesbury) at 7.30pm.  Tickets £15, available on the door or telephone 01684 292401.  Concessions available; U16s free.

Lux Aeterna

Lux Aeterna

Cantores’ programme to be performed on March 17th in Cirencester Parish Church and on March 24th in St Peter’s Church Leckhampton comprises works inspired by the idea of light as a symbol of wisdom, enlightenment or creativity.

The main work is ‘Lux Aeterna’ by the American composer Morten Lauridsen and written in 1997. The five movements contain texts from the Requiem where light is seen as the ultimate state of rest and the Latin hymns ‘O nata lux’ and ‘Veni sancte spiritus’. This music, always radiant and often ecstatic, has helped to make Lauridsen one of the most popular composers currently writing for choirs.

In stark contrast is Brahms’ large scale motet ‘Warum ist das Licht gegeben’ – ‘Why has light been given for such trouble?’. This begins with a bleak and chromatic fugue but resolves finally into the major key, ‘In peace and joy I go my way’.

The programme also includes motets by Tallis and Byrd, two settings of ‘Hail gladdening light’ by Charles Wood and Alexander Grechanninov and a major work by John Rutter, in a style far distant from his Christmas carols, ‘Hymn to the Creator of Light’.

Tickets (£15; £12 for concessions; under-16s free) are available from Andrew on 01242 573193 and online for Cirencester and Leckhampton.

Music for Advent

Christmas music, you say? In mid-November? Fear not – there will be no overly-familiar Christmas carols in Cantores’ next programme (18 November in Cirencester Parish Church, and 25 November in St Mary’s, Prestbury, Cheltenham). Instead, the choir will explore many different styles of advent music, from the Middle Ages to our own time.

Cantores will combine images of Christ as a rose, as depicted by Praetorius, Howells and Swedish composer Jan Sandstrom, with French music from Villete and Poulenc – their settings of ‘O Magnum Mysterium’, William Byrd’s intricate and lively motet ‘Vigilate’, and Henry Purcell’s ‘Magnificat in G Minor’. Ola Gjeilo’s ‘Second Eve’ adds a contemporary touch, along with John Tavener’s much loved ‘The Lamb’.

Advent, often seen as a season of penitence, is very obviously also one of anticipation, so do come and join us and enjoy some lovely music in either of these wonderful settings.

Tickets (£15; £12 for concessions; under-16s free) are available from Lorna Eayrs on 01242 603988 and online for Cirencester and Prestbury.

Singing more traditional Christmas carols, Cantores will be accompanying a Christmas service at Down Ampney on Saturday December 9. Everyone of course is very welcome.

And why not make a note now of the dates for Cantores’ ‘The American Dream’ concerts in spring next year – March 17 (Cirencester) and March 24 (St Peter’s, Leckhampton, Cheltenham)?

The Song of Songs

Song of SongsThe Song of Songs, or The Song of Solomon, is an erotic love poem in the Old Testament and a source of  inspiration for composers through the ages.

For Cantores’ summer concerts, conductor John Holloway has chosen music from the Renaissance and our own time featuring settings of words from the poem.  The concerts are in Highnam Parish Church on Saturday 24 June, and in Cirencester Parish Church on Saturday 1 July; both at 7.30pm.

The central piece is the mass for double choir  “Ego Flos Campi” by Juan Gutierrez de Padilla, a Spanish composer born in Malaga in 1590 but who spent most of his life in Mexico.  There are definite Latin American flavours in his music.  The same words, as set by Venetian composer Francisco Guerrero (b. 1528), will make for an interesting comparison.  Two further motets, one by Guerrero and the other by Spanish polyphonic genius Tomas Luis de Victoria, make up the Renaissance section of the programme.

Bridging a gulf of several centuries, we come to two settings of “My beloved spake”, one by Patrick Hadley and the other by John Sanders, organist at Gloucester Cathedral until quite recently.  Alongside these comes William Walton’s famous 1938 setting of  “Set me as a seal upon thine heart”.

John Holloway is a composer, as well as conductor of Cantores and Tewkesbury Choral Society, and we are very pleased to be giving another performance of “The Garden”, which he first wrote for Cantores in 2009.  And John Wright, an old friend of the choir, will complement the choral works with some solo organ pieces.

So do come!  It promises to be an interesting concert, with some familiar and some lesser known pieces to delight your ears.

German Masterpieces

german-masterpieces

John Holloway has chosen a programme of Baroque and Romantic German pieces for Cantores’ next concert – to be performed in Cirencester Parish Church on Saturday 18 March; and again on 25 March at Holy Apostles Church in Cheltenham.  Both concerts start at 7.30pm.

Two motets by Heinrich Schuetz and two JS Bach cantatas – nos. 4 and 191 – will satisfy fans of Baroque music, and most people will love Mozart’s famous ‘Ave Verum Corpus’.  Two motets by Mendelssohn and Brahms’ exquisite ‘Geistliches Lied’ comprise the Romantic section of the concert.

We will be joined by our usual string ensemble, who have accompanied us on many occasions; and we also welcome back David Whitehead as our organist for these concerts.

If you have heard these forces performing before, you will not want to miss this concert – and if you haven’t, then come along and hear some glorious music performed by some superb musicians and hear Cantores at their best.

Cantores next perform German Classical and Romantic masterpieces in March 2017, and this will undoubtedly suit their rich, chordal sound.’ (David Watt)

So put the date(s) in your diary and buy your tickets early – this could be a sell-out.

Cantores – Data Privacy Notice

1. Your personal data – what is it?

Personal data relates to a living individual who can be identified from that data. Identification can be by the information alone or in conjunction with any other information in the Data Controller’s possession or likely to come into such possession. The processing of personal data is governed by the General Data Protection Regulation (the GDPR).

2. Who are we?

Cantores is a chamber choir based in the Cotswolds and registered charity 1055674. The Committee of Cantores acts as Data Controller (contact details below). This means it decides how your personal data is processed and for what purposes.

3. What personal data do we collect?

We may collect the following information:

  • Names and titles;
  • Contact details such as telephone numbers, addresses, and email addresses;
  • Photographs for use on our website and social media.

 

4. How do we process your personal data?

We comply with our obligations under the GDPR by keeping personal data up to date; by storing and destroying it securely; by not collecting or retaining excessive amounts of data; by protecting personal data from loss, misuse, unauthorised access and disclosure and by ensuring that appropriate technical measures and processes are in place to protect personal data.

We use your personal data for the following purposes: –

To fundraise and promote our interests;To inform you of news, future events and activities being organised by us;

  • To notify you if an event is cancelled or if the event information advertised has changed;
  • To maintain appropriate photos on our website and social media accounts;
  • To contact you from time-to-time to ensure that the data we hold is current;
  • To conduct surveys to ask your opinions;
  • To administer our membership records;
  • To keep in touch with professional musicians who work with us from time to time;
  • To maintain our own accounts and records, including the processing of gift aid declarations;
  • To notify you of any updates to this Data Privacy Notice.

 

5. What is the legal basis for processing your personal data?

  • Consent of the data subject so that we can keep you informed about future concerts and events, request feedback, and to administer choir membership recordsProcessing is necessary for the legitimate interests of the data controller or a third party, except where such interests are overridden by the interests, rights or freedoms of the data subject;
  • Compliance with legal obligations.

 

6. Sharing your personal data

We will not share or pass on your personal details to any other organisation or third party, except to any party who we may from time to time engage to perform functions relating solely to us, currently MailChimp, GroupSpaces and Eventbrite. We and any such party engaged by us adhere to the principles set out in Data Protection Act 1998, the Privacy and Electronic Communications Regulations 2003 and the GDPR.

 

7. How long do we keep your personal data?

Personal data processed for any purpose or purposes shall not be kept for longer than is necessary. Choir members or professionals who cease their association with Cantores will have their data record removed from our database within 12 months. Specifically, to comply with legal obligations we will retain gift aid declarations and associated paperwork for up to 6 years after the calendar year to which they relate.

8. Your rights and your personal data

Unless subject to an exemption under the GDPR, you have the following rights with respect to your personal data: –

  • The right to request a copy of your personal data which we hold about you;
  • The right to request that we correct any personal data if it is found to be inaccurate or out of date;
  • The right to request your personal data is erased where it is no longer necessary for us to retain such data;
  • The right to withdraw your consent to the processing at any time;
  • The right, where there is a dispute in relation to the accuracy or processing of your personal data, to request a restriction is placed on further processing;
  • The right to object to the processing of personal data (where applicable);
  • The right to lodge a complaint with the Information Commissioners Office.

9. Further processing

If we wish to use your personal data for a new purpose, not covered by this Data Protection Notice, then we will provide you with a new notice explaining this new use prior to commencing the processing and setting out the relevant purposes and processing conditions. Where and whenever necessary, we will seek your prior consent to the new processing.

10. Contact Details

To exercise all relevant rights, queries or complaints please in the first instance contact us at cantorescotswolds@gmail.com.

You can contact the Information Commissioners Office on 0303 123 1113 or via email https://ico.org.uk/global/contact-us/email/ or at the Information Commissioner’s Office, Wycliffe House, Water Lane, Wilmslow, Cheshire. SK9 5AF.

Cantores Chamber Choir

Registered Charity 1055674

Contact Address: 48 Tinglesfield, Cirencester, Gloucestershire, GL7 2JL, UK

Email: cantorescotswolds@gmail.com

Website: https://cantores.net

 

 

This Data Privacy Notice was approved by the Cantores Committee on 10 May 2018